Truman Lowe

Canoe Man, Plains Image, and Untitled

The celebrated modernist Truman Lowe grew up in a Ho-Chunk community outside of Black River Falls, Wisconsin, and spent most of his life living and working in the state. His first language was Hoocąąk, the language spoken by members of the Ho-Chunk Nation. From an early age, his parents and grandparents steeped him in tribal handiwork traditions, including basketry, beadwork, and woodwork. After studying art and art education at the University of Wisconsin La Crosse, Lowe earned an MFA in sculpture from UWMadison. Intricate and graceful minimalist sculptures evoke his heritage, Wisconsins woodland environments, and people who inhabited and made an impact on the sacred native lands where he was raised. Wood and wateressential physical, spiritual, and metaphysical resources for the Ho-Chunk peopleare throughlines in Lowes life and art. Made with malleable wood, soft organic lines, repetitions, and layering, Lowes works combine his extensive knowledge of Wisconsins woodlands with his formal art training, creating sculptures that represent and speak to both Native and non-Native communities. 

The celebrated modernist Truman Lowe grew up in a Ho-Chunk community outside of Black River Falls, Wisconsin, and spent most of his life living and working in the state. His first language was Hoocąąk, the language spoken by members of the Ho-Chunk Nation. From an early age, his parents and grandparents steeped him in tribal handiwork traditions, including basketry, beadwork, and woodwork. After studying art and art education at the University of Wisconsin La Crosse, Lowe earned an MFA in sculpture from UWMadison. Intricate and graceful minimalist sculptures evoke his heritage, Wisconsins woodland environments, and people who inhabited and made an impact on the sacred native lands where he was raised. Wood and wateressential physical, spiritual, and metaphysical resources for the Ho-Chunk peopleare throughlines in Lowes life and art. Made with malleable wood, soft organic lines, repetitions, and layering, Lowes works combine his extensive knowledge of Wisconsins woodlands with his formal art training, creating sculptures that represent and speak to both Native and non-Native communities. 

The celebrated modernist Truman Lowe grew up in a Ho-Chunk community outside of Black River Falls, Wisconsin, and spent most of his life living and working in the state. His first language was Hoocąąk, the language spoken by members of the Ho-Chunk Nation. From an early age, his parents and grandparents steeped him in tribal handiwork traditions, including basketry, beadwork, and woodwork. After studying art and art education at the University of Wisconsin La Crosse, Lowe earned an MFA in sculpture from UWMadison. Intricate and graceful minimalist sculptures evoke his heritage, Wisconsins woodland environments, and people who inhabited and made an impact on the sacred native lands where he was raised. Wood and wateressential physical, spiritual, and metaphysical resources for the Ho-Chunk peopleare throughlines in Lowes life and art. Made with malleable wood, soft organic lines, repetitions, and layering, Lowes works combine his extensive knowledge of Wisconsins woodlands with his formal art training, creating sculptures that represent and speak to both Native and non-Native communities. 

Truman Lowe

Truman Lowe

Canoe Man, Plains Image, and Untitled

Exhibition

Exhibition

Materials & Dimensions

Materials & Dimensions

Wood (pine, peeled willow saplings), leather ties, stones.

82 x 24 x 24 inches, 80 x 24 x 24 inches, 49 x 38 x 8 inches

Year

Year

1988

Site

Site

Bradley Symphony Center

Credits

Credits

Courtesy of Truman T. Lowe Estate.

Audio Tour

Audio Tour

0:00/1:34

Social Choreography Score

by Kim Miller

Social Choreography Score

by Kim Miller

Social Choreography Score

by Kim Miller

Start by standing at one end of the sculpture grouping.

Walk up and down the length of the sculpture once, ending back where you started.

Notice the arcing lines of the sculpture.

How can you make arcing lines possible in your own body? Explore this movement

Slowly come back to standing.

Raise both of your arms out to the side of you.

Make your way to the opposite end of the sculpture grouping with your arms outstretched and taking long strides.

Once you have made it to the opposite end, notice the waves going through the sculptures.

With your arms still outstretched, make wave-like movements flow through them.

Let this movement flow into your whole body, letting your arms move wherever the waves take them.

How can you incorporate as much of your body as possible with the wave-like movements?

Let the movements move your feet.

Move to a new vantage point - either within the space or outdoors from the space - with this full-body movement, taking your time and moving in the direction the waves flow.

Let the movement slow down and slowly leave your body, leaving you standing still.

Start by standing at one end of the sculpture grouping.

Walk up and down the length of the sculpture once, ending back where you started.

Notice the arcing lines of the sculpture.

How can you make arcing lines possible in your own body? Explore this movement

Slowly come back to standing.

Raise both of your arms out to the side of you.

Make your way to the opposite end of the sculpture grouping with your arms outstretched and taking long strides.

Once you have made it to the opposite end, notice the waves going through the sculptures.

With your arms still outstretched, make wave-like movements flow through them.

Let this movement flow into your whole body, letting your arms move wherever the waves take them.

How can you incorporate as much of your body as possible with the wave-like movements?

Let the movements move your feet.

Move to a new vantage point - either within the space or outdoors from the space - with this full-body movement, taking your time and moving in the direction the waves flow.

Let the movement slow down and slowly leave your body, leaving you standing still.

Start by standing at one end of the sculpture grouping.

Walk up and down the length of the sculpture once, ending back where you started.

Notice the arcing lines of the sculpture.

How can you make arcing lines possible in your own body? Explore this movement

Slowly come back to standing.

Raise both of your arms out to the side of you.

Make your way to the opposite end of the sculpture grouping with your arms outstretched and taking long strides.

Once you have made it to the opposite end, notice the waves going through the sculptures.

With your arms still outstretched, make wave-like movements flow through them.

Let this movement flow into your whole body, letting your arms move wherever the waves take them.

How can you incorporate as much of your body as possible with the wave-like movements?

Let the movements move your feet.

Move to a new vantage point - either within the space or outdoors from the space - with this full-body movement, taking your time and moving in the direction the waves flow.

Let the movement slow down and slowly leave your body, leaving you standing still.

You never know where the water is going to travel next as it begins to overflow its banks or begins to move its channel.

Truman Lowe

Artist, Educator, Curator

Izumi Kato

Untitled

Izumi Kato

Untitled

Izumi Kato

Untitled

Luftwerk

SOS Color Code

Luftwerk

SOS Color Code

Luftwerk

SOS Color Code

Kim MIller

Social Choreography: Perceived at a Distance

Kim MIller

Social Choreography: Perceived at a Distance

Kim MIller

Social Choreography: Perceived at a Distance

thank you

To our generous sponsors, partners, collaborators, and supporters who make our work possible.

Founding & Sustaining
Sponsors

* indicates both Founding and sustaining founding sponsor

Anonymous
Donna & Donald Baumgartner*
Black Box Fund
Evan & Marion Helfaer Foundation
Susan & Mark Irgens*
Mellowes Family*
Sue & Bud Selig*
Julie & David Uihlein*
Lacey Sadoff Foundation

presenting

Collaborator

Betty Arndt
City of Milwaukee Arts Board
Good Karma Brands

leader

Anonymous
Heil Family Foundation
Godfrey & Kahn

Exhibition Partner

Visionary

George & Karen Oliver

sculpture

Wayne & Lori Morgan

Connector

BMO
Foley & Lardner
Hawks Landscaping
Open Pantry
PNC Bank
PwC
Russ Darrow Group
Town Bank
US Bank
WeycoGroup

Sculpture Milwaukee is always free and open to the public thanks to our generous supporters.

We work with trusted community partners to ensure great contemporary art is accessible to all.

Colophon

© 2025 Sculpture Milwaukee

thank you

To our generous sponsors, partners, collaborators, and supporters who make our work possible.

Founding & Sustaining
Sponsors

* indicates both Founding and sustaining founding sponsor

Anonymous
Donna & Donald Baumgartner*
Black Box Fund
Evan & Marion Helfaer Foundation
Herb Kohl Philanthropies
Herzfeld Foundation
Hoke Family Foundation
Susan & Mark Irgens*
Mandel Groups*
Mellowes Family*
Sue & Bud Selig*
Julie & David Uihlein*
Lacey Sadoff Foundation

presenting

Collaborator

Betty Arndt
City of Milwaukee Arts Board
Good Karma Brands

leader

Anonymous
Heil Family Foundation
Godfrey & Kahn

Exhibition Partner

Visionary

Evan & Marion Helfaer Foundation

sculpture

Wayne & Lori Morgan

Connector

BMO
Foley & Lardner
Hawks Landscaping
Open Pantry
PNC Bank
PwC
Russ Darrow Group
Town Bank
US Bank
WeycoGroup

Sculpture Milwaukee is always free and open to the public thanks to our generous supporters.

We work with trusted community partners to ensure great contemporary art is accessible to all.

Sign up for our newsletter

Colophon

© 2025 Sculpture Milwaukee