Anges Denes

Wheatfield: A Confrontation: Battery Park Landfill, Downtown Manhattan

My decision to plant a wheat field in Manhattan grew out of the long-standing concern and need to address misplaced priorities and deteriorating human values. Manhattan is the wealthiest, most congested, most fascinating island in the world. To plant, sustain, and harvest two acres of wheat in its financial center, wasting valuable real estate, created a powerful paradox. It was insane but it would show people that unless human values were reassessed, life itself was in danger. Placing it near the World Trade Center, a block from Wall Street, facing the Statue of Liberty, had symbolic import.

Wheatfield was a universal symbol representing food, energy, commerce, world trade, economics. Referring to mismanagement, waste, world hunger, and ecological concerns, it was a confrontation of High Civilization but also Shangri-La, a small paradise, peace, forgotten values, and simple pleasures.

What differed about this wheat field was that the site was a dirty landfill full of rusty metals, boulders, old tires, and overcoats, an extension of the congested downtown of a metropolis where every inch was precious real estate. The absurdity of it, the risks we took, the hardships we endured were all part of the basic concept.

After months of preparations, planting began in May. 200 truckloads of dirt were brought in, 285 furrows were dug and cleared of rocks and garbage, seeds were sown, and the furrows covered with soil, all by hand. The field was maintained for four months, cleared of wheat smut, weeded, fertilized, irrigated, and sprayed against mildew fungus. In August we harvested more than 1,000 pounds of healthy, golden wheat. The seeds were planted by people around the globe, in solidarity with the concept.

The site is now a luxury office and apartment complex. But the memory lingers of a golden amber field of wheat blowing in the wind and the power of the paradox, more poignant since September 11, 2001.

My decision to plant a wheat field in Manhattan grew out of the long-standing concern and need to address misplaced priorities and deteriorating human values. Manhattan is the wealthiest, most congested, most fascinating island in the world. To plant, sustain, and harvest two acres of wheat in its financial center, wasting valuable real estate, created a powerful paradox. It was insane but it would show people that unless human values were reassessed, life itself was in danger. Placing it near the World Trade Center, a block from Wall Street, facing the Statue of Liberty, had symbolic import.

Wheatfield was a universal symbol representing food, energy, commerce, world trade, economics. Referring to mismanagement, waste, world hunger, and ecological concerns, it was a confrontation of High Civilization but also Shangri-La, a small paradise, peace, forgotten values, and simple pleasures.

What differed about this wheat field was that the site was a dirty landfill full of rusty metals, boulders, old tires, and overcoats, an extension of the congested downtown of a metropolis where every inch was precious real estate. The absurdity of it, the risks we took, the hardships we endured were all part of the basic concept.

After months of preparations, planting began in May. 200 truckloads of dirt were brought in, 285 furrows were dug and cleared of rocks and garbage, seeds were sown, and the furrows covered with soil, all by hand. The field was maintained for four months, cleared of wheat smut, weeded, fertilized, irrigated, and sprayed against mildew fungus. In August we harvested more than 1,000 pounds of healthy, golden wheat. The seeds were planted by people around the globe, in solidarity with the concept.

The site is now a luxury office and apartment complex. But the memory lingers of a golden amber field of wheat blowing in the wind and the power of the paradox, more poignant since September 11, 2001.

My decision to plant a wheat field in Manhattan grew out of the long-standing concern and need to address misplaced priorities and deteriorating human values. Manhattan is the wealthiest, most congested, most fascinating island in the world. To plant, sustain, and harvest two acres of wheat in its financial center, wasting valuable real estate, created a powerful paradox. It was insane but it would show people that unless human values were reassessed, life itself was in danger. Placing it near the World Trade Center, a block from Wall Street, facing the Statue of Liberty, had symbolic import.

Wheatfield was a universal symbol representing food, energy, commerce, world trade, economics. Referring to mismanagement, waste, world hunger, and ecological concerns, it was a confrontation of High Civilization but also Shangri-La, a small paradise, peace, forgotten values, and simple pleasures.

What differed about this wheat field was that the site was a dirty landfill full of rusty metals, boulders, old tires, and overcoats, an extension of the congested downtown of a metropolis where every inch was precious real estate. The absurdity of it, the risks we took, the hardships we endured were all part of the basic concept.

After months of preparations, planting began in May. 200 truckloads of dirt were brought in, 285 furrows were dug and cleared of rocks and garbage, seeds were sown, and the furrows covered with soil, all by hand. The field was maintained for four months, cleared of wheat smut, weeded, fertilized, irrigated, and sprayed against mildew fungus. In August we harvested more than 1,000 pounds of healthy, golden wheat. The seeds were planted by people around the globe, in solidarity with the concept.

The site is now a luxury office and apartment complex. But the memory lingers of a golden amber field of wheat blowing in the wind and the power of the paradox, more poignant since September 11, 2001.

Anges Denes

Anges Denes

Wheatfield: A Confrontation: Battery Park Landfill, Downtown Manhattan

Exhibition

Exhibition

Materials & Dimensions

Materials & Dimensions

Vinyl

Dimensions variable

Year

Year

1982/2023

Site

Site

Credits

Credits

Donld Baechler

Plant

Donld Baechler

Plant

Donld Baechler

Plant

John Giorno

LET IT COME LET IT GO, YOU CAN'T HURT ME CAUSE STORMS CAN'T HURT THE SKY, DO THE UNDONE

John Giorno

LET IT COME LET IT GO, YOU CAN'T HURT ME CAUSE STORMS CAN'T HURT THE SKY, DO THE UNDONE

John Giorno

LET IT COME LET IT GO, YOU CAN'T HURT ME CAUSE STORMS CAN'T HURT THE SKY, DO THE UNDONE

Tyree Guyton

TIMEOLOGY

Tyree Guyton

TIMEOLOGY

Tyree Guyton

TIMEOLOGY

thank you

To our generous sponsors, partners, collaborators, and supporters who make our work possible.

Founding & Sustaining
Sponsors

* indicates both Founding and sustaining founding sponsor

Anonymous
Donna & Donald Baumgartner*
Black Box Fund
Evan & Marion Helfaer Foundation
Susan & Mark Irgens*
Mellowes Family*
Sue & Bud Selig*
Julie & David Uihlein*
Lacey Sadoff Foundation

presenting

Collaborator

Betty Arndt
City of Milwaukee Arts Board
Good Karma Brands

leader

Anonymous
Heil Family Foundation
Godfrey & Kahn

Exhibition Partner

Visionary

George & Karen Oliver

sculpture

Wayne & Lori Morgan

Connector

BMO
Foley & Lardner
Hawks Landscaping
Open Pantry
PNC Bank
PwC
Russ Darrow Group
Town Bank
US Bank
WeycoGroup

Sculpture Milwaukee is always free and open to the public thanks to our generous supporters.

We work with trusted community partners to ensure great contemporary art is accessible to all.

Colophon

© 2025 Sculpture Milwaukee

thank you

To our generous sponsors, partners, collaborators, and supporters who make our work possible.

Founding & Sustaining
Sponsors

* indicates both Founding and sustaining founding sponsor

Anonymous
Donna & Donald Baumgartner*
Black Box Fund
Evan & Marion Helfaer Foundation
Herb Kohl Philanthropies
Herzfeld Foundation
Hoke Family Foundation
Susan & Mark Irgens*
Mandel Groups*
Mellowes Family*
Sue & Bud Selig*
Julie & David Uihlein*
Lacey Sadoff Foundation

presenting

Collaborator

Betty Arndt
City of Milwaukee Arts Board
Good Karma Brands

leader

Anonymous
Heil Family Foundation
Godfrey & Kahn

Exhibition Partner

Visionary

Evan & Marion Helfaer Foundation

sculpture

Wayne & Lori Morgan

Connector

BMO
Foley & Lardner
Hawks Landscaping
Open Pantry
PNC Bank
PwC
Russ Darrow Group
Town Bank
US Bank
WeycoGroup

Sculpture Milwaukee is always free and open to the public thanks to our generous supporters.

We work with trusted community partners to ensure great contemporary art is accessible to all.

Sign up for our newsletter

Colophon

© 2025 Sculpture Milwaukee